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The Hulk

February 7th 2007 09:14


I tried not to build up my expectations too much when this film first came out. I mean, it was the Hulk (!), and with Ang Lee directing (double !), so it had to be good. Nothing would prepare for the end result though... it was unlike anything I had see before. An actual comic book on screen. As such, it remains unpopular, but I will continue to honour it as a deeply flawed but courageous attempt to do something different with the genre.


The story of the Hulk is an essentially tragic one, like a comic book Dr Jekyll and Mr Hyde, and Ang Lee seems intent on stretching out this vein of thought for the film. The film 'Hulk' is tragic in the way that only a comic can be, the human drama builds, piecing together layers of understanding, never quite making it clear to us until the great green one himself appears. Admittedly, the film is a little slow to get to this pivotal point, but it manages to hold our attention through it's kinetic and hyper-visual style of direction... the use of comic-book styled cells and other directorial innovations, used to brilliant effect and coupled with a great score reminiscent of the original Hulk television series.




Eric Bana doesn't actually do all that much acting, considering it's the CGI Hulk that gets to be the angry one, but his performance is in tune with the role all the same. Nolte's mad scientist role was fun to watch, but his character's reasons for doing some of the things he does always seem a little muddled. Sam Elliot probably shines the most though as the ambivelent military man, Ross. The CGI Hulk itself is perfect... whilst not a 100% realistic it seems perfectly suited to the style of the film, and it's wise to remember that a giant green man with purple pants is never going to seem "100% realistic".

This is a worthy film adaptation of 'The Hulk'... unlike a lot of other comic-based films, the Hulk himself is the story, and Ang Lee's concentration on this is one of the film's greatest strengths. As I mentioned before, it's a little slow to get going action-wise, but once it does it really kicks some arse, and the film must go down as the one of the most ambitiously realised comic-to-film adaptations yet. It's just a shame that it took so long for the Hulk to turn up in the movie, perhaps then it might not be remembered as the failure it is, I still enjoyed it nonetheless though.
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The League of Gentlemen's Apocalypse

January 28th 2007 23:25


Recently I watched all three series (and the Christmas and Live specials) of The League of Gentlemen. It was sad because I watched it all so quickly and now there is no more for me to see. I left the the film, 'The League of Gentlemen's Apocalypse', till last. And I'm glad I did, as it was a suitable swansong to all the characters (if it is to be their last appearance).

If you haven't seen The League of Gentlemen then you're missing out on something really special. Steve Pemberton, Reece Shearsmith and Mark Gatiss play a whole town full of odd characters. The town in question is Royston Vasey, a backwards place full of the inbred, insane and downright creepy. The show itself is a unique mix of black comedy, drama and horror. The first two series are very much in the sketch-comedy mould, albeit a little more advanced (think 'Little Britain', but not as monotonous). Various subplots run through the episodes concerning each set of characters. The Christmas Special and third series moved beyond this format though, ditching the laugh-track and opting for more complicated and involving storylines. I especially liked the Christmas Special, it played out like a homage to various horror films with it's four self-contained stories, managing to revolt and scare as much as it amused.

And that brings us to the film.

Wow.

From the start it appears to be something quite different. We get a big screen-styled score and a real epic feel to the proceedings. As much as I'd like to talk about the plot, or even the opening scene, I can't bring myself to do it as it might spoil it for you. Suffice to say, it's miles away from the sketch-comedy of the first series but every bit as good.

If there's one thing that's been consistent with the Leage of Gentlemen, it's their ability to surprise and be bizarre. This film takes the bizarreness a whole extra step further, but what else were we to really expect? This is the big screen, it has to be different. I loved this movie. It made me really fall in love with the characters too - one-joke and one-dimensional characters are given depth, but it's done in such a way that it doesn't cheat what we have come to accept in the television show. It's hard to explain, you just have to see it. It's a brilliant work of post-modern metafiction (sorry to use words like that, but they really are the best description for this movie), and the plot might seem to disappear altogether at one point (hilariously so) but hang in there - it all becomes clear by the film's end.

Very few film versions live up to the television series they are based on or following on from, 'The League of Gentlemen's Apocalypse' is just about the only one I can think of that might just be the exception to the rule: an improvement.

HIGHLIGHTS: Geoff Tibbs and Herr Lipp steal the movie completely. Whilst they were both amusing characters in the show, here they become loveable, flawed human beings. Tibbs cracked me up the whole way through, and Herr Lipp was (scarily) quite moving.

It's a shame we don't get to see more of Papa Lazarou, Edward and Tubbs, but the fact that they appear at all (and in the context that they do) is enough for me.

And the best highlight of all is the stop-motion animation. Yes! It was wonderful to see some Harryhausen-styled special effects in a contemporary film, and it fit the tone so perfectly. I loved it, I loved it, I loved.
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Legally Blonde

January 8th 2007 05:14


'Legally Blonde' isn't a particularly original film. I don't think you could really call it a 'cult' film, though I think it had a kind of kitschy value to it that made it more endearing than most mainstream comedies. It knows what it's trying to achieve, it doesn't stretch itself, and it knows how to use the cliches of the genre to good effect. I enjoyed this film. I can't help it, okay? I just did.

I can't really say too much about this film, it doesn't exactly lend itself to any form of analysis. But I can (and will) give my opinion. This is a fun film, it's funny, the characters are well-drawn and you care about what happens. 'Legally Blonde' is also the point where Reese Witherspoon stepped up to 'leading lady' status, proving that she can carry a film on her own.

As I said, I liked 'Legally Blonde'. I don't have anything bad to say about it. It's fun, amusing and I can't comment on the sequel as I haven't seen it.
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The Waterboy

January 3rd 2007 07:55


Adam Sandler plays another loser with an exceptional sporting skill (ala ‘Happy Gilmore’), but this time the guy is a full-blown retard, and the film steps even further away from the safe comedy territory trodden by it's predecessors


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Charlie's Angels: Full Throttle

December 27th 2006 02:12


Fun, fun, fun. Anyone who bags this film out without seeing it is afraid of fun. I can't even remember being all that impressed with the first film, but this one just picked me up and twirled me around from beginning to end. All with a goofy grin on it's face


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Rat Race

December 23rd 2006 08:47


It's got a cheesy look about it, and it's clearly a supposedly 'whacky comedy' much in the vein of those late 70s/early 80s madcap chase films ala 'It's a Mad, Mad, Mad, Mad World


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Empire Records

December 22nd 2006 10:38


Cult films are almost always a mixed bag by definition. I first watched 'Empire Records' hoping for another 'Dazed and Confused' and felt rather (inevitably) disappointed when it was nothing of the sort. Now, a few years later, I watched it again remembering the good bits, but alas it still doesn't sit quite properly with me


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Jumanji

December 21st 2006 10:38


This wasn't as good as I remembered it to be. In case you're unaware of the film, 'Jumanji' is a fantasy/adventure film that fails to be as exciting as it's premise should have enabled it to be, but is still fun enough to enjoy all the same. Basically, the film centres around an unexplained game that unleashes all manner of jungle-based perils upon a small American town, and must be played out to the end if the havoc it causes is to be stopped. Robin Williams plays a long-lost player of the game who has spent some thirty years inside the jungle-world it contains. Sounds like great stuff, right? Well, kids are easily impressed


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Shallow Grave

December 19th 2006 06:01


'Shallow Grave' is the debut pairing of the creative team that brought the world the amazing 'Trainspotting' and '28 Days Later'. Here we see the emergence of their talents, as well as those of one Ewan McGregor, who would shoot to fame with the film's aforementioned follow-up, ‘Trainspotting’. From the outset, it’s easy to see that these people had what it takes to be a success in the film world


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In The Company of Men

December 15th 2006 04:31


This is one of those films that I always see hanging around in the video store. I remember that it was fairly well-received (critically) when it first came out, and the various quotes on the video cover seems to reinforce this (when doesn't it?) It was only a matter of time before I got around to watching this. Hell, I even own a copy of the damned thing on 2-dollar-video


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He Died With a Felafel in His Hand

December 13th 2006 06:08


This looks like one of those odd indie Aussie-efforts that make a short critical splash but soon disappear never to be seen again. That's a little unfair for me to say I guess, because it's a lot better than my previous sentence implies


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Dirty Deeds

December 6th 2006 13:03


Finally, a full-blown Aussie gangster flick. Ever wanted to see how the Mafia would fare up against fair dinkum Aussie pokie-machine gangsters? Here's your chance. An all-star cast, a larger-than-usual budget and fine film-making from Writer/Director David Caeser (Idiot Box), all go a long way to make this one of the standouts of the genre


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Borat!

December 5th 2006 06:46


Well, I finally got around to seeing the Borat film on the weekend


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Starship Troopers

November 30th 2006 09:23

Director Paul Verhoeven is probably best-known for 'Robocop'.

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