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Animal Factory

November 2nd 2006 10:20
Animal Factory (2001)


Steve Buscemi's directorial follow-up to 'Trees Lounge' sees a naturalistic exploration of life in gaol, based on the book by real-life convict Edward Bunker, and as seen through the eyes of Ron Decker (Edward Furlong), a small-time drug dealer who must learn to adapt to a new lifestyle.


The film focuses on life in gaol, rather than bother itself with the usual concepts of escape, 'the battle of wills' or the 'fight for justice', it instead focuses on one character's adaptation to a new environment, the process of gaol as an 'animal factory', and the obstacles one must face in their quest to survive such an institution.

Ron falls in with Earl Copen (Willem Dafoe), the 'big man' in gaol, and must overcome paranoia, doubt and the nature of criminal attitude if he is to make it back out again. The film sort of spoils it's own themes by opting for a more traditional resolution to the gaol drama, but it isn't too much of a distraction and doesn't really take away anything from the story. Buscemi's direction is unshowy and low-key, gritty but never over-the-top. There's a great assemblage of character actors to be seen here, each one fitting into their role like it was tailor-made for them - with the exception of Mickey Rourke, who is simply ridiculous as Jan (a transvestite).

This is a good drama, drawing on a real life source to great effect, and designed accordingly to tell the story without flashiness or ego.


TRIVIA: 'Animal Factory' is based on the book of the same name, by real-life ex-con Eddie Bunker, who played Mr Blue in 'Resorvoir Dogs'. Bunker turns up in the 'Animal Factory' film as a minor character called Buzzard
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Amelie

November 1st 2006 10:05
Amelie (2001)


I knew that this film would be good, I just didn't expect it to be that good. It should be obvious from my many reviews that I tend to enjoy films a lot, but films rarely touch me in the way that this one did - it made me feel so much.

Amelie, the girl of the title, is a shy and imaginative young woman living alone in Paris. One day she discovers someone's hidden childhood treasures in her apartment, and the initiative she takes from here on in sets in place a chain of wondrous events, affecting the lives of everyone she sets her sights on. However, when such a wondrous change comes looking for her, she finds herself emotionally incapacitated.

This was a unique experience for me. The film focuses on the little pleasures that life offers us, the little things that make each one of us an individual, and celebrates them lovingly and unconditionally. The director, Jean-Pierre Jeunet, manages to pull off dazzling sequences that would come across on paper as unfilmable to most. That the audience is never left in the dark, and is clued in on the emotional responses of each character, is a remarkable feat to achieve. It overwhelmed me.

Audrey Tatou is absolutely gorgeous, and indelible as our wide-eyed heroine Amelie. The supporting cast, whilst completely unrecognisable to the likes of this non-French speaking reviewer, are almost equally as wonderful in their parts, some using very little screen time to establish exceptionally memorable characters.

There isn't much else to say - this is a beautiful film. Strikingly original, completely engrossing, and beyond entertaining, with something of the lost innocence of childhood about it. It saddens me that some people will probably overlook it because it's in French, but I guess such is the struggle of 'foreign' films.

TRIVIA: 'Amelie' is the highest-grossing European film of all time (so far). It was shot in Germany, despite being set in France and featuring an all-French cast.
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Rat

October 31st 2006 09:35
Rat (2000)


Okay, so I got this film out for three reasons... 1. The front cover had a Rat on it, drinking out of a pint glass. 2. It sounded bizarre and quirky and funny. 3. Pete Postlethwaite was in it.

All three of these assumptions/statements turned out to be true, but only in varying degrees. Basically, this is about an Irish man named Hubert, whose lifestyle (consisting mainly of drinking and gambling) consists of such allegedly rat-like behaviour that he comes home one night to turn into just that; a rat. The ensuing power struggles between his family (mother wants to grow rich and famous off the story, son wants to kill it, daughter wants to protect it) is a curious hodge-podge of absurdist lunacy and straight-ahead drama.

My biggest disappointment with this film would have to be the absence of Pete Postlethwaite. He appears briefly at the beginning and is then not seen for quite some time. The rat doesn't even speak, which is fair enough in terms of the plot, but leaves a lot to be desired for in the entertainment stakes. Most of the film is carried by Imelda Staunton as the long-suffering, forever-nagging wife. Unfortunately she is a rather unsympathetic character.

There are a few genuine laughs to be had in this film, but the ridiculousness of it all wears thin after a while, and it's nowhere near as funny as it should be.
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Minority Report

October 26th 2006 11:44
Minority Report (2002)


So Speilberg thinks he can pull off a noirish serious sci-fi film? Well, no matter how much it might try... 'Blade Runner' this aint


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End of Days

October 23rd 2006 10:34
End of Days (1999)


I'd avoided this one for a long time. Some people told me it was great, others said it was horseshit. Eventually I yielded and decided to give it a go


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Drowning Mona

October 20th 2006 12:01
Drowning Mona (2000)


I have to admit that this film didn't really appeal to me right from the start. I mean, an ensemble comedy/mystery, featuring fairly average talent (for the most part) - it just didn't grab me. But, it was on telly, and I had nothing better to do


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Thunderpants

October 11th 2006 06:11
Thunderpants (2002)


Lately it seems that 'kids' movies have really increased in quality (EG. 'Harry Potter', PIXAR's various releases, etc, etc.), even to such an extent that they're watchable by people over the age of 12 (Shock! Horror!) Yes, that's right - Disney live-action films can just fuck off. 'Thunderpants' is a brilliantly crude yet heart-warming British film seemingly aimed at the kiddos that I (significantly older than your average ‘kiddo’) found extremely enjoyable


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Galaxy Quest

October 10th 2006 08:09
Galaxy Quest (1999)


Galaxy Quest is, without a doubt, a parody of Star Trek and the like. But, despite what one might think, it's quite gentle in it's mocking, and anyone even mildly familiar with Star Trek (particularly the original series) will find it's cleverness and good humour infectious


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The Match

October 9th 2006 08:02
The Match (1999)


"The Match" is one of those 'quaint' U.K. films, set in the country, filled with an odd assortment of characters and making use of the 'man against the odds' formula


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The Ladies Man

October 6th 2006 05:38
The Ladies Man (2000)


Yet another Saturday-Night-Live spinoff, this time something a little less recognisable for me; being unfamiliar with Tim Meadows (who wrote and starred in this film


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Signs

October 4th 2006 12:45
Signs (2002)


'Signs' is the third major/mainstream film by rising director M. Night Shymalan. Following on the heels of the worldwide box office smash 'The Sixth Sense' and the unique and inspiring film 'Unbreakable', 'Signs' was going to have to work hard to at least stand up to it's predecessors


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Ghost World

October 2nd 2006 10:59
Ghost World (2002)


'Ghost World' is one of those odd-looking films that just scream out 'Cult!' Being based on a cult comic/graphic novel certainly helps, and featuring the talents of a unique and motley assortment of some of today's favourite character actors (and then-rising star Scarlett Johansson) will no doubt solidify it's reputation


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X-Men 2

September 29th 2006 10:36
X-Men 2 (2003)


Well, here's something you don't see everyday. A sequel that far excels the original. After the disappointing 'Daredevil' it was good to see that comic franchises weren’t completely doomed


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Poolhall Junkies

September 25th 2006 12:36
Poolhall Junkies (2002)


'Poolhall Junkies' is one of those films with a hip-looking cover and name. The sort of film that makes you go 'Er! Who do they think they are!' when you look at the cover… like it’s trying so hard to be all cool and ‘Lock Stock’ish. But eventually I had to give in and succumb to marketing, and so I checked it out


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